Minimax, Pro, B, Vectron 3. Each project configuration can be saved and retrieved later. Up to 48 channels of audio can be controlled with these mixers. If there’s a hardware effect or stomp box you’re familiar with, most likely it’s covered here in virtual “plug-in” form. The more DSP’s you have, the more stuff you can load. This product is designed to provide a variety of audio functions including virtual synthesis, sampling, effects processing, mixing and studio signal routing. There are a variety of virtual mixers in SFP ranging from the fairly simple to the extremely complex including some surround sound mixers.
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Vinco is a Universal Audio compressor clone.
There are a number of third-party developers producing plug-ins for SFP some of which are actually free for the taking. The more DSP’s you have, the more stuff you can load. These DSP chips provide all the processing horsepower for Scope’s software which allows the host CPU to perform other processing tasks.
Arpeg 01, Inferno, Lightwave, Prisma. These things were huge man. A maximum of three boards, in any combination, could be installed in the PC.
Go grab a cup of creamwarf because this gets deep: Or the effects can be routed through the aux busses like a normal mixer. This makes the system very stable and fast! The big advantage here is that Scope “frees up” those critical resources allowing the recording application to use as much processing power as needed. The number of virtual devices that you can load at any one given time is determined by the number of DSP’s you have installed.
Following is a “short list’ of the available devices that come standard with Scope: Some are virtual copies of creamawre analog models which are dcope considered collectors items like the MiniMoog and Pro-One. The amount of DSP resources required for a project depends on the number of Scope virtual devices effects, mixers, synthesizers, etc.
In the control surface, you load whatever devices you need in order to start creating music.
The concept behind SFP is that all the boards have the same basic software feature set. Click on the thumbnail image above to see the sdope picture. You needed a pretty good size room and a lot of patch cables to produce music with one of those babies. SFP comes standard with the following virtual instruments and devices: Following is a “short list’ of the available devices that come standard with Scope:. Each project configuration can be saved and retrieved later.
Again, too many to list and they all sound wicked. I’m not a synth guru but this stuff sure is a blast to play around with.
Click on the thumbnail image above for a zcope screenshot of the Modular Synth. But the flagship of the Scope synth collection is the Modular Synth: Up to 48 channels of audio can be controlled with these mixers. You had to let the thing warm up for a half an hour before you could actually play it. Each device or element appears as a separate box with it’s own inputs and outputs.
Ahh, the good ol’ days.
The soundcard mounts into an available PCI slot inside the host computer. These virtual instruments are controlled with any MIDI capable keyboard. Virtual effects can be loaded into creamwaee mixer channel inserts allowing for individual effects processing on each track. This product is designed to provide a variety of audio functions including virtual synthesis, sampling, effects processing, mixing and studio signal routing.
Scope supports up to bit audio resolution and up to 96kHz sampling rates with almost zero latency.